Jacques Cousteau was a wonderful scientist and one of my favorite artists of all time. Though he did not create by the conventional definition, he lived an aesthetic life which was in and of itself an art. The pristine novelty of Cousteau's art is best captured in Wes Anderson's "The Life Aquatic with Steve Zissou"; the marine biologist's films and adventures are artistic and aesthetically pleasing because they are quirky, and it is this quirk, this novelty, that i'm trying to capture in my own work on aesthetic theory.
I am an amateur aesthetic theorist and art critic who draws upon the theory of Oscar Wilde and Harold Bloom, as well as on